Happy Birthday, James Garner!

Yes, I've celebrated his birthday for the last couple of years on this blog and I aim to keep on doing it. Jim Garner remains my all-time favourite actor and I never get tired of watching his many great film roles and sketching my impressions of him. For this year's caricature, I watched The Great Escape, the classic WWII film from 1963, which was based on the true story of a POW prison breakout. Jim Garner plays Lt. Hendley, also known as "The Scrounger", for his ability to scrounge all manner of raw materials from within the camp that can then be jerry-rigged into usable tools to be utilized in the digging of not one, but three tunnels to the woods outside the fence!

The Great Escape is a hugely thrilling epic that I've watched a number of times over the years, though I try to limit my viewings so that it still feels fresh every time I watch it. There's a lot of humanity in the film, most notably in the friendship that develops between Garner's Lt. Hendley and Blythe, "The Forger" played by British character actor, Donald Pleasence. Just prior to the planned breakout, it's decided that poor Blythe is to be left behind in the camp due to the risk he presents to the mission, having suffered a deterioration of his eyesight to the point of near blindness. Hendley insists that Blythe still be included, offering to take full responsibility for getting him out and away under his protection. That act of kindness and human decency is a trait I like to attribute to Jim Garner in real life, too. Jim has always been outspoken on various issues on which he takes a principled stand, often being honest to the point of bluntness in his opinions. Many of his film roles have portrayed him as, if not the typical "hero", then certainly the "reluctant hero" who may wish to avoid trouble if he can, but will rise to the occasion when necessary.

As I've mentioned in a past entry, I got to meet Jim Garner back in 1982 when he was starring in NBC's Bret Maverick, a sequel series to his classic original Maverick from about 20 years before. Here is a photo that was taken on that occasion showing me and my friend Bryan Stoller with Jim, actress Darleen Carr and singer/actor Ed Bruce on the set at Warner Brothers. I wish that I'd had a better camera - where was digital when I needed it? Also, I'm kicking myself for having blinked when the pic was taken! Still, I'm happy to report that Jim Garner was as charismatic and nice in person as he often appears in his film and TV roles, and it was such a thrill to meet him. Happy Birthday, Jim!

Happy Birthday, Robin Williams!

I mentioned Robin Williams in my last post, in regard to the Disney short film that he appeared in with Walter Cronkite. As it happens, today is Robin Williams' birthday, so I figured I should celebrate it with this little novelty pictured above. Here's the story behind this particular caricature:

Back in 1982 I went out to visit my friend, Bryan Stoller, whom I had grown up with in Ottawa but who was at that time aspiring to become a film director in LA after having graduated from the American Film Institute. Bryan had made some contacts within several of the studios, enabling us to visit the set of the series, Bret Maverick, filming at Warner Brothers, where I got to meet my hero, James Garner. I've written about this at great length in this previous post. But Bryan also knew a producer at Paramount, and was therefore able to get us onto the set of the popular sitcom, Mork and Mindy, which was pretty much what had launched the career of Robin Williams, playing Mork, the alien sent to study earthlings.

When we arrived on the set, the cast and crew were busy rehearsing for that week's show, with the director setting up camera angles as the actors went through their paces. Bryan and I went up into the empty stands where the audience would sit for the taping at the end of the week. I had brought along my sketchbook and so I started sketching the cast while they rehearsed. This was to be the final season of the series, and Jonathan Winters had joined the cast as Mork and Mindy's (strangely fully grown adult) baby, Mearth, hatched from an egg laid by poppa Mork. (Okay, the 70s really was a strange decade!) The main reason that Winters had been added to the cast, however, was that he had been the lifelong comedic idol of Robin Williams, who had patterned his own scattergun style of improv comedy after this comedy legend.

One of the most memorable events while watching this rehearsal came when the cast took a short break while the camera crew set up the next shot. Jonathan Winters had wandered over to a chair on the set and had started a one way conversation with it. Robin noticed what he was doing and was soon joining in on this madcap bit of improv with the chair. It was really neat to see how these two guys, the master and his disciple, worked off of each other, obviously having great fun with such off-the-cuff invention.

After they were through with the rehearsal, Bryan and I went down to say hello to the cast and the producer, Gene Sultan, who had kindly given us permission to visit the set. I showed them the quick sketch caricatures I'd been doing and the cast members were quite excited with them. We accompanied them back to their breakroom for coffee and to chat for a bit, and they asked if they could photocopy my sketches. Interestingly, I found Robin himself to be a bit quiet and reserved, quite unlike what I would have expected. In contrast, Jonathan Winters was very outgoing and funny, and even sketched a cartoon for me! I must admit, though, that I was most of all enjoying the company of Pam Dawber, who played Mindy. Pam was just as cute and sweet in person as she was on the show, and I came away quite smitten! As our visit wrapped up, the producer gave us tickets to come back and attend the show's taping at the end of the week. I couldn't believe how gracious they had all been and I wanted to do something for them in return.

Once I had returned back home from my trip, I decided to work up the rough sketches (as well as some new ones I drew from the TV show) into a finished piece of art. Actually, I did three identical originals, then mailed them to Bryan with the instructions to keep one for himself as thanks, and to give one to the producer, Gene Sultan, and hopefully see if he could get the cast to autograph and return one to me. Bryan came through, and several weeks later I received my original back, signed by the cast, as well as an 8 x 10 photo reproduction of it. There was also a note from the producer, thanking me for the caricature and hoping that I didn't mind him taking the liberty of having it printed up and distributed to all the cast and crew at the end of season wrap party. Of course I was flattered that he had done that, happy that they all had a momento of their final season that featured my art.

Just as a postscript, I've always thought it was funny how similar an approach Disney animator, Eric Goldberg had 10 years later in caricaturing Robin Williams' features and incorporating them into his design of Genie in Aladdin. Both Eric and I are highly influenced by famed caricaturist, Al Hirschfeld, so I think we were both somewhat guided by his sense of flowing design in the facial features. It's uncanny how similar our approach is when you look at that profile of Genie in the centre of this model sheet:

Death Takes No Holiday Last Week

It would seem that the whole world is now in mourning for "The Gloved One", despite the fact that Michael Jackson had been largely forsaken by the public in his latter years, reduced to a sad joke, most tragically of his own making. To give him his due, Jackson certainly was a phenomenal solo talent back in his prime years of the 1980s, but he just couldn't seem to sustain it for more than a dozen years or so. While I could admire his technical skills as a dancer, that kind of high energy pop/rock performer so typical of "The MTV Generation" never appealed to me. Remember, I'm a Sinatra guy myself, so Michael Jackson just didn't measure up. For the record, I deplore all contemporary pop music, as I've never liked the rock influence. Sorry...

So instead, here in The Cartoon Cave we're going to celebrate the other two big names of the entertainment world who left us this past week:



Farrah Fawcett is certainly the more tragic loss of the the two, by virtue of her being only 62 and having been in so much physical agony from the cancer that had wracked her body for so long. When I was a teen in the 1970s, this beauty with the big blonde mane of hair was the reigning sex symbol of the day, with her blue eyes and that million dollar smile blazing forth from the ubiquitous poster that became an iconic image of that era. As Marilyn Monroe was to the 50s and Raquel Welch was to the 60s, so Farrah Fawcett became the feminine ideal of the 70s, inspiring many a teenage girl's hairstyle while inspiring something else in we guys! It's ironic really that she made as big a splash as she did, as her greatest claim to fame as the breakout star on Charlie's Angels only lasted the first season, before Farrah decided to leave the show to try her luck in movies. It's a shame that she never did achieve the fame in film that she had strived for.

Admittedly, I was not a huge fan of Farrah, being only a casual viewer of Charlie's Angels back in its day. I found the show entertaining, but a bit too fluffy and silly for my tastes. I preferred my crime shows to be more plausible, favouring Columbo and The Rockford Files at the time. Still, the three gals were very cute and appealing, although truth be told, Jaclyn Smith was my favourite Angel, with her soft dark eyes and warm honey voice. But I certainly admired Farrah and Kate Jackson as well. Having recently revisited the show on DVD, I find their portrayals rather refreshing in retrospect, in that they're not the badass, butt kicking action girls so prevalent in movies and shows today, but are instead still allowed to be very sweet and feminine while solving the dastardly crimes. The 1970s was still a more innocent time on TV!




And not to be forgotten, we also lost Ed McMahon this past week, who was in fact a big favourite of mine. In the 70s and 80s I was an avid viewer of The Tonight Show, back when Johnny Carson was the king of television and the show itself had so much more class than in its later incarnation with Jay Leno. Big Ed was more than just a sidekick to Johnny, in my opinion. His hearty laugh and always affable manner was a very comfortable presence to be around, and I felt that he and Johnny operated more as a team than we see with any of the second bananas working on TV today.

I remember back in 1982, I was in New York City freelancing for the Disney office there. While I was in town, a friend and I got tickets to see the then very late night version of Late Night With David Letterman, which ran on NBC following The Tonight Show. I recall the audience being herded like cattle into the theatre, then having some very crass fellows come out to instruct and nearly threaten us into obeying the applause sign. Overall, I found the experience of that TV show taping rather demeaning and wasn't too impressed at all. About a year or so later, I was out visiting my friend Bryan Stoller in LA and Bryan knew somebody at NBC who was able to secure us very good seats near the front of the theatre to see The Tonight Show. In contrast to the experience at the Letterman taping, I found the taping of The Tonight Show to be very warm and friendly. I recall that Ed McMahon and Doc Severinsen came out before the show to warm up the audience before the taping was to start. They had a very inviting manner about them, putting the audience at ease with their good humour and taking a few questions from the people in the stands. When the show started up, it was just magical to hear Ed's familiar intro of "Heeeeere's Johnny!", bringing forth the king himself. I remember being so impressed with the consummate professionalism of Johnny, Ed and Doc, and their obvious respect for their live audience.

In recent years, Ed McMahon had shown unfailing loyalty and respect for his former boss, even after Johnny Carson had passed away, speaking with great affection of their years working together. At some point I'm planning to do a fuller post on the subject of Johnny Carson and The Tonight Show, but in the meantime I'd just like to pay my respects to that gentle giant, Ed McMahon.

So Long, George...

Sad to hear that George Carlin passed away today. I can't say I was a huge fan, being more of a Bob Newhart man myself, but I certainly liked his odd, cerebral musings throughout his many televised appearances . Seems to me, I first became aware of him on shows like "Flip Wilson" at the beginning of the 70's. He'd already made a name for himself on TV appearing on "The Ed Sullivan Show", and on these early TV guest spots he had to keep his act clean. A few years later, my friends and I chortled over his bluer material that could be found on his comedy albums, but I must admit, I preferred his odd takes on various subjects more than his infamous "Seven Things You Can't Say on TV". I'm hardly a prude, but shock value humour just gets tedious I think. I don't really follow contemporary comics for that reason.

I'd almost forgotten about this caricature I'd done of George Carlin, as it must date back to around 1979 or so. I recall the circumstances were that he was appearing in concert in my hometown of Ottawa. My friend, Bryan Stoller, also about 19 or 20 at the time, somehow had finagled a chance to interview George for something or other, being quite the enterprising type, and he asked me if I could draw a caricature that he could present to him. I agreed, provided he get a second one I inked up autographed for me. So, though I can't claim to have met George Carlin personally, I did get a signed caricature as a keepsake. Looking back at the art itself, it sure is an unpolished piece. I think my inking has improved a lot in the many years since.

So long, George - I hope you were able to take all your stuff with you...

(PS: I dedicate this post to George Carlin fan, Trevor)

"Two Hundred Dollars a Day, Plus Expenses..."

Today is the birthday of my favourite actor of all time, James Garner. So I thought I'd draw up a new caricature of him to mark the occasion. Fortunately, I have plenty of great video reference to work from, but I really felt compelled to depict him in his most famous role of Jim Rockford on "The Rockford Files". I'm so happy that the entire series has been coming out on DVD and I've been enjoying the five seasons released thus far. 

"The Rockford Files" was one of the shining examples of the type of cop shows that were quite prevalent back in the 70's. Shows like "Kojak", "Cannon", "Mannix", and many others were built around the charisma of their central stars rather than the nastiness of the crimes as in so many of today's series. "The Rockford Files" and Peter Falk's "Columbo" were my particular favourites of that popular 70's genre. James Garner had first found success on TV in the role of "Maverick" and, after then going on to prove himself as a leading man in the movies of the 60's, he was lured back to TV to create the role of Jim Rockford, who really was in many ways the continuation of the same lovable con man, Bret Maverick, only this time as a private detective. Not too long ago, I read where writer and series creator, Stephen J. Cannell, had also been inspired by the character of "Travis McGee" in the series of detective novels by John D. MacDonald. Since I'm a big fan of those stories, I guess that's why I also find Jim Rockford so appealing.

James Garner had created an onscreen persona of himself as the "reluctant hero" - the guy who would do his best to avoid trouble, but would ultimately come through when he found himself and others in the thick of it. He'd perfected the character in the wartime film, "The Americanization of Emily" opposite Julie Andrews, where in a very key scene in the film he makes no bones about being a coward rather than a hero, as he contends that cowards live longer while heroes get themselves killed in the folly of war. He went on to play the same type of character in another of my favourite films, "Support Your Local Sheriff", before continuing it as the private detective Jim Rockford, who didn't like to carry a gun unless absolutely necessary and didn't even have a permit to own one anyway.

Back in 1982 when I was just 22, I was in LA visiting my friend, director Bryan Stoller, who, before I'd flown out there, had told me he was going to try and get us both onto the set of "Bret Maverick", Garner's then current TV series, as he knew I was a big fan of Garner's. On the chance that Bryan would be successful, I drew up a caricature of Jim Garner in that role and painted up two originals - one to give him as a gift and the other for him to autograph for me. Sure enough, Bryan got us in there through his Warner Brothers connections and I was able to meet Jim Garner in person! I'm happy to report that Jim was as charming and amiable in real life as he'd appeared onscreen. He was tall and ruggedly handsome even in his mid-50's, and looked every bit like a larger-than-life movie star. The whole cast and crew were very nice to us, and even invited us back to watch the next day when they would be shooting the exterior scenes out on Warners' western street set. To the left is that artwork that he'd signed for me. Though James Garner is getting on and old stunt wounds have taken their toll on his knees, he will always remain my favourite leading actor. They just don't make them like that anymore. Happy Birthday Jimbo!

PS: Here's some happy nostalgia for my fellow boomers!...